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home prologue invention of writing alphabets asian contribution illuminated manuscripts graphic renaissance printing comes to europe the german illustrated book renaissance graphic design an epoch of typographic genius industrial revolution the industrial revolution the arts and crafts movement art nouveau genesis of twentieth century design modernist era the influence of modern art pictorial modernism a new language of form the bauhaus and the new typography modern movement in america age of information the international typographic style the new york school corporate identity and visual systems the conceptual image national visions within a global dialogue postmodern design digital revolution and beyond jacqueline s. casey jacqueline casey was a graphic designer best known for the posters she created for the massachusetts institute of technology (mit). casey was born in 1927 in quincy, massachusetts. she studied for a bachelor of fine arts degree in fashion design and illustration at the massachusetts college of art (massart), graduating in 1949. after graduating, she had a number of jobs, including work in interior design and advertising. mit in 1955, she was recruited by fellow massart alumna muriel cooper to work at the office of publications at mit. in 1972, casey became director, taking over this position as her colleague… in the international typographic style paula scher paula scher moved to new york city and took her first job as a layout artist for random house's children's book division. cbs records in 1972, she was hired by cbs records to the advertising and promotions department. after two years, she left cbs records to pursue a more creative endeavor at a competing label, atlantic records, where she became the art director, designing her first album covers. a year later scher returned to cbs as an art director for the cover department. during her eight years at cbs records, she is credited with designing as many as 150 album… in postmodern design andy warhol andy warhol was an american artist who was a leading figure in the visual art movement known as pop art. his works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. after a successful career as a commercial illustrator, warhol became a renowned and sometimes controversial artist. the andy warhol museum in his native city, pittsburgh, pennsylvania, holds an extensive permanent collection of art and archives. it is the largest museum in the united states dedicated to a single artist. warhol's art used many types of media, including hand drawing, painting, printmaking, photography, silk… in postmodern design max miedinger max miedinger was a swiss typeface designer. he was famous for creating the neue haas grotesk typeface in 1957 which was renamed helvetica in 1960. marketed as a symbol of cutting-edge swiss technology, helvetica went global at once. between 1926 and 1930 miedinger trained as a typesetter in zürich, after which he attended evening classes at the kunstgewerbeschule in zürich. at the age of sixteen max became an apprentice typesetter at a book printing office for jacques bollmann (in zürich). after four years as an apprentice, miedinger enrolled in the school of arts and crafts. when he was 26 years… in the international typographic style otl aicher aicher was born in ulm, in the south-western state of baden-württemberg, on may 13, 1922. aicher was a classmate and friend of werner scholl, and through him met werner's family, including his siblings hans and sophie scholl, both of whom would be executed in 1943 for their membership in the white rose resistance movement in nazi germany. like the scholls, aicher was strongly opposed to the nazi movement. he was arrested in 1937 for refusing to join the hitler youth, and consequently he was failed on his abitur (college entrance) examination in 1941. he was subsequently drafted into the german… in the international typographic style neville brody neville brody is an english graphic designer, typographer and art director. he is an alumnus of the london college of printing and hornsey college of art, and is known for his work on the face magazine (1981–1986) and arena magazine (1987–1990), as well as for designing record covers for artists such as cabaret voltaire and depeche mode. he created the company research studios in 1994 and is a founding member of fontworks. he is the new head of the communication art & design department at the royal college of art. early life and education neville brody was born in southgate,… in postmodern design ernst keller ernst keller was born 1891 in aarau, switzerland. keller was first trained as a draughtsman and lithographer in 1906. he worked in leipzig, germany until 1914. keller joined zurich's famous kunstgewerbeschule (school of applied art) in 1918 until he retired in 1956. as a teacher he was the most important single influence on the development of the swiss style while teaching design and typography. where he then established several training programs in design and typography and was called "the father of swiss graphics". the economically drawn images and inventive lettering of his posters designed in the 1920s and 30s made… in the international typographic style helvetica helvetica was developed in 1957 by max miedinger with eduard hoffmann at the haas'sche schriftgiesserei (haas type foundry) of münchenstein, switzerland. haas set out to design a new sans-serif typeface that could compete with the successful akzidenz grotesk in the swiss market. originally called neue haas grotesk, its design was based on schelter-grotesk and haas' normal grotesk. the aim of the new design was to create a neutral typeface that had great clarity, no intrinsic meaning in its form, and could be used on a wide variety of signage. when linotype adopted neue haas grotesk (which was never planned to… in the international typographic style karl gerstner karl ger­st­ner was born in basel, switzer­land in 1930. his life was divided between being a painter and a graphic designer in which he saw suc­cess in both pur­suits. ger­st­ner stud­ied design at all­ge­meine gewerb­schule in basel under emil ruder. in 1959, he part­nered with markus kut­ter, a writer and edi­tor, to form the agency gerstner+kutter which then became ggk with the addi­tion of archi­tect paul gredinger. ggk became inter­na­tion­ally suc­cess­ful as a design agency. gerstner’s influ­ence on typog­ra­phy is sig­nif­i­cant to the his­tory and the­o­ries of graphic design. he pop­u­lar­ized the use of unjus­ti­fied ragged-right text in typog­ra­phy. he… in the international typographic style late modernism late modernism encompasses the overall production of most recent art made between the aftermath of world war ii and the early years of the 21st century. the terminology often points to similarities between late modernism and post-modernism although there are differences. the predominant term for art produced since the 1950s is contemporary art. not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. arthur danto argues explicitly in after the… in postmodern design featured, erik nitsche _________________________________________________________________________________________________________________________ featured in a new language of form , erik nitsche was a pioneer in the design of books, annual reports, and other printed material that relied on meticulous attention to the details of page composition, the elegance of simple type presentation, and the juxtaposition of elements on a page. his hallmarks were impeccably clear design, brilliant colors, smart typography, and an adherence to particular geometric foundations. contact sitemap 2018 history of graphic design p

URL analysis for historygraphicdesign.com

http://www.historygraphicdesign.com/prologue-to-graphic-design
http://www.historygraphicdesign.com/images/regridart/200x200/images/00001/h49.jpeg
http://www.historygraphicdesign.com/images/regridart/200x200/images/00001/l94.jpg
http://www.historygraphicdesign.com/the-age-of-information/the-digital-revolution-and-beyond
http://www.historygraphicdesign.com/industrial-revolution/the-industrial-revolution
http://www.historygraphicdesign.com/a-graphic-renaissance/the-german-illustrated-book
http://twitter.com/share?url=http://www.historygraphicdesign.com/&text=featured%20artist
http://www.historygraphicdesign.com/prologue-to-graphic-design/the-asian-contribution
http://www.historygraphicdesign.com/the-age-of-information
http://www.historygraphicdesign.com/the-age-of-information/the-international-typographic-style/806-max-miedinger
http://www.historygraphicdesign.com/industrial-revolution/art-nouveau
http://www.historygraphicdesign.com/the-age-of-information/the-international-typographic-style/256-karl-gerstner
http://www.historygraphicdesign.com/the-modernist-era/a-new-language-of-form/1179-erik-nitsche
http://www.historygraphicdesign.com/the-age-of-information/postmodern-design/531-neville-brody
http://www.historygraphicdesign.com/industrial-revolution/genesis-of-twentieth-century-design

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Domain Name: HISTORYGRAPHICDESIGN.COM
Registry Domain ID: 1766114393_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2017-10-21T12:28:25Z
Creation Date: 2012-12-13T17:49:14Z
Registry Expiry Date: 2018-12-13T17:49:14Z
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Registrar IANA ID: 146
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Name Server: NS2.BLUEHOST.COM
DNSSEC: unsigned
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  ARGS domain =historygraphicdesign.com

  PORT 43

  TYPE domain

DOMAIN

  NAME historygraphicdesign.com

  CHANGED 2017-10-21

  CREATED 2012-12-13

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